{{ t('prnux_your_wishlist_is_empty')}}
{{ t('prnux_shopping_bag_empty') }}
Ihre Wunschliste ist leer
{{ t('prnux_empty_shopping_bag_message')}}
{{ t('prnux_empty_shopping_bag_message')}}
Special Projects
CHUANQI: SPACETIME DIALOGUES AT RONG ZHAI
FROM 12 NOVEMBER 2026 TO 28 FEBRUARY 2027
Prada presents an exhibition curated by art historian, critic, and curator Wu Hung, bringing together works by four contemporary Chinese artists: Geng Xue, Peng Wei, Song Dong, and Xiaoze Xie. Organized with the support of Fondazione Prada, the project will be on view at Prada Rong Zhai.
The term chuanqi originally described a genre of fictional short stories filled with strange and marvelous tales during the Tang and Song dynasties (7th–13th centuries). Over the centuries, the style of chuanqi changed and innovated its content and narrative technique, but its depiction of legendary stories remains, and is still performed throughout China today. The exhibition spans two levels of Prada Rong Zhai, where artworks in different media become part of the environment and engage it in dialogues across time and space. Each artist is presented in a different area of the residence, opening distinct storylines between reality and illusion, personal memory and historical time.
The term chuanqi originally described a genre of fictional short stories filled with strange and marvelous tales during the Tang and Song dynasties (7th–13th centuries). Over the centuries, the style of chuanqi changed and innovated its content and narrative technique, but its depiction of legendary stories remains, and is still performed throughout China today. The exhibition spans two levels of Prada Rong Zhai, where artworks in different media become part of the environment and engage it in dialogues across time and space. Each artist is presented in a different area of the residence, opening distinct storylines between reality and illusion, personal memory and historical time.
Zum Schließen fortfahren
/
/
/
Song Dong (1966) conceived a site-specific interactive installation for the Ballroom. The installation features a mirror placed on the floor, embracing the imperfections of the walkable surface’s memory and reflecting the ceiling by turning it into a gigantic kaleidoscope. The artist’s work comprises everyday materials such as pieces of furniture once used in ordinary homes, transformed with golden panels and variegated surfaces that shift between the everyday and the fantastic.
A video installation conceived by Geng Xue (1983) is displayed in the North Chamber, a long, spacious room that overlooks the garden. Geng Xue’s artistic practice centers on ceramics, sculpture, and video. Her work draws inspiration from classical Chinese literature and is distinguished by a persistent inquiry into perception and the boundaries between subjective and objective realities.
More than thirty artworks by Peng Wei (1974) are presented in the Billiards Room and the adjacent Smoking Room, in which the coordinated decoration suggests these spaces were likely conceived as a suite for gentlemen’s leisure. Within these rooms, Peng Wei’s female-centered works create three narrative layers that connect the ancient times, Republican China, and the contemporary period. Combining paintings, installations, and iPad animation, the works of Peng Wei refer to the chuanqi through her interest in the unpredictability of human nature.
Xiaoze Xie’s (1966) multimedia installation is presented in the former owner Mrs. Yung’s bedroom. Amber of History: Reimagining the Library Cave at Dunhuang (2017-) engages with the mystique of the Dunhuang Library Cave (Mogao Cave 17). The Library Cave, built during the late Tang Dynasty, later became a hidden repository holding over 50,000 manuscripts and artifacts. Sealed for nearly a millennium, it was accidentally rediscovered in 1900, and its contents were dispersed across institutions worldwide. Xiaoze Xie presents nine semi-transparent 3D-printed resin sculptures of the Library Cave’s physical space, arranged according to the geometry of a mandala. Between ink drawings and a multimedia 3D projection, the installation transforms emptiness and digital data into the wondrous tale of a millennial memory.
Credits:
Song Dong
Sketch for Ballroom, 2026. Courtesy the artist
Geng Xue
Multi-Faced Wishing Figure with Lotus and Two Dishes (detail), 2024
Body Garden, 2022
Courtesy the artist
Peng Wei
This Is Her No.32, 2024
This Is Her No. 25, 2024
Courtesy the artist
Xiaoze Xie
Amber of History Series - Rain of Words (Buddhist scriptures), 2023
Amber of History Series – Three Realms and Nine Levels, 2023
Courtesy the artist
Prada Rong Zhai, Shanghai, Photo: Agostino Osio. Courtesy Prada
Song Dong
Sketch for Ballroom, 2026. Courtesy the artist
Geng Xue
Multi-Faced Wishing Figure with Lotus and Two Dishes (detail), 2024
Body Garden, 2022
Courtesy the artist
Peng Wei
This Is Her No.32, 2024
This Is Her No. 25, 2024
Courtesy the artist
Xiaoze Xie
Amber of History Series - Rain of Words (Buddhist scriptures), 2023
Amber of History Series – Three Realms and Nine Levels, 2023
Courtesy the artist
Prada Rong Zhai, Shanghai, Photo: Agostino Osio. Courtesy Prada
{{ t('prnux_close_button') }}
{{ isConfirmationMessage ? t('prnux_newsletter_thanks') : t('prnux_sign_up_newsletter') }}
{{ t('required field') }}
{{ t('required field') }}