Wallpapers

項目
 

Prada紐約旗艦店的最主要特點之一,在於其無障礙的60米北牆,長度媲美一整個城市街口。  從最早期的設計以來,OMA已計劃以該牆作為臨時牆紙之所。 Prada及New York設計公司2x4共同開發處理方案,旨在定期將新內容注入店舖。 牆紙的主題及色彩均隨季節變遷,多變之餘更極富潮流意涵。

 
 
 
 
wallpapers

______ wallpapers

 
LOGOPOLIS 2018
LOGOPOLIS 2018

Between the thing, and the symbol for the thing, falls the shadow: extrusions of two dimensional logos derived for the FW 2018 collection form an uncanny, seemingly empty, city of signs.

SKIN AND BONES 2017
SKIN AND BONES 2017

柔軟的軀體線條與堅硬的鋼鐵建築結構互相碰撞,於視覺的衝突效果下,產生剛中帶柔、兼容並蓄的層次感。

FRAGMENTARIANISM 2017
FRAGMENTARIANISM 2017

​以牆面作廣播。單面看板貼上海報和即影即有照片:以「女性之都」(city of women) 為題。

MUTE 2017
MUTE 2017

Opaque women’s silhouettes overlay and interrupt a vibrant conversation creating a new moment: mute and contemplative.

DIALOGIC 2017
DIALOGIC 2017

Backlit film stills and cinematic frames form a disjointed narrative of discontinuous elements: an intertwined, fragmented conversation in color and light.

Granularity 2016
 Granularity 2016

Silhouettes from the F/W'16 campaign are atomized utilizing a wildly eclectic library of objects that range from the specific – Prada products such as keys, books, and shooting stars – to the random – geometric forms, flowers, leaves, and feathers.

Anchored by fragments of face, body, and garment, the bodies decompose and reconstitute tapping into a common stream of elements that trails across the full expanse of the wall.

Ripple Effect 2016
Ripple Effect 2016

An encounter between hard and soft, figure and ground, body and drape. An undulating landscape of color, shadow, curves and geometries that disturbs the planar wall surface.

HYPERSPEED 2015
HYPERSPEED 2015

An intergalactic empire, accelerated to hyperspeed, visible through familiar windows and doorways, offering glimpses into a distant future.

GALACTIC EMPIRE 2015
GALACTIC EMPIRE 2015

Inspired by the architectural setting of the FW 15 fashion show and pulp sci-fi landscape imagery, Galactic Empire comprises a series of adjoining rooms that open onto alien desertscapes, unknown moons, and distant galaxies

VANISHING POINT 2015
VANISHING POINT 2015

Multi-point perspectives, drawn in black industrial duct tape over the blurred portraits of the existing Myopia wallpaper, break the 2 dimensional plane of the Epicenter wall: hard edged  rationalism piercing pastel miasma.

 

MYOPIA 2015
MYOPIA 2015

The wall is investigated through the manipulation of focal length. Huge portraits waver in and out of sharp focus depending on the relative approximation to the surface plane. The blurriness suggests a deep space into which the figures recede creating a vague and indistinct border to the space.

The overall, slightly psychedelic palette relates to images drawn from the concurrent campaign.

Brutalista Blooming 2014
Brutalista Blooming 2014

從冰涼質硬的混凝土,到花團: 對比鮮明的花環拼貼靈感源自古代大師的油畫。 底層的壁紙以節日鮮花作點綴。

BRUTALISTA 2014
BRUTALISTA 2014

Inspired by the Fall/Winter 2014 advertising campaign, Brutalista is a photo collage of fragments from notable mid-20th century buildings composed in such a way as to contradict the real geometries and perspectives of the space.

The omnipresent concrete creates a uniform backdrop against which the collection stand out in vivid points of intense color.

In the Heart of the Multitude 2014
In the Heart of the Multitude 2014

The wallpaper for Spring/Summer 2014 is derived from In the Heart of the Multitude, a special project developed for the women's fashion show in Milan. Prada invited muralists Miles “El Mac” MacGregor, Mesa, Gabriel Specter, and Stinkfish, and illustrators Jeanne Detallante and Pierre Mornet, 

to engage themes of femininity, representation and power directly on the walls of the show space. The portraits represent the multiplicity of guises that women assume in the course of a day, or a lifetime, mirroring the essential modality of fashion.

Iridescence 2013
Iridescence 2013

Prada標識經重新演繹,變身為閃閃發光的黑色沙龍(豪華的彩色基層),充滿彩虹光澤,

該色澤間於原油色和縞瑪瑙色之間,從頭至尾煥發出超脫塵俗的光輝。

Gatsby’s Party 2013
Gatsby’s Party 2013

為慶祝由導演巴茲魯曼執導、改編自史考特費茲傑羅同名小說的電影《大亨小傳》首映,《大亨小傳》派對劇照用於Catherine Martin及Miuccia Prada為電影設計的服裝造型展覽的背景幕。


此照片是一幅由多張劇照組成的壁畫,展示了魯曼精湛導演功架之餘,更盡顯電影角色在大宅派對上所穿的多款華麗禮服精緻設計。

Sleeping Giant 2013
Sleeping Giant 2013

從指尖到腳趾伸延超過200呎,斜臥的裸女在百老匯以超大形態出現,穿插在各種形式的古典畫、插頁及防曬乳液廣告牌中。

簡單的放大技術,令身體形態不再是焦點所在,形成人體藝術風景。

Powerhouses 2012
Powerhouses 2012

發電廠變身為廣闊的拼圖空間,滿佈世界各地政議院的相片,由攝影師Luca Zanier親自操刀,充滿現代感,風格出眾。

華麗空間中的微妙色彩和抽象姿勢,引領人們回到那些奇異時代,追溯由豪華到抽象的裝飾蛻變。

Soft opening 2012
Soft opening 2012

為慶祝紐約大都會博物館特展「Schiaparelli 和Prada: 跨時空對話」,Prada在其試業開幕典禮增設Vogue創意總監Grace Coddington

設計的特別櫥窗擺設,以Coddington和攝影師Steven Meisel 那Prada經典圖案塞進細長的大紅色天鵝絨帷幕後作為特色。

Chromo 2012
Chromo 2012

If the perfect mirror is the essential element of the fashion boutique, the chrome surface of the automobile is its street-wise cousin. The world reflected in the bumper is transformed into visual riot, but what it lacks in veracity it makes up in dynamism.

Mirroring Prada's SS12 collection, Chromo is an imperfect simulation of the urban environment as captured in gleaming metallic.

Stain 2011
Stain 2011

Inspired by the illustrations adorning classic bodice-rippers and pulp fiction paperbacks, Stain features super-sized close-cropped watercolor portraits of Prada models in a swirl of color that borders on the lurid.

The collage is comprised of fragments of original paintings by illustrator Marcela Gutierrez recombined in a full-wall composition.

Caryatides 2011
Caryatides 2011

新巴洛克牆紙乃基於2011年春夏季系列的意念,即西班牙三紳士、卡門‧米蘭達的劇場場景及約瑟芬·貝克的裝飾藝術電影海報,此牆紙由柱、女像柱及飾章組成,以巴洛克風格繪畫為背景。

寫生畫、裝飾藝術肖像、建築裝飾以及2011年春夏季系列的元素融合匯聚,鑄成雕像般的Prada款式並組成紋章盾,造就出資本主義、輝煌及古典主義的現代徽章。

Almost blue 2010
Almost blue 2010

藍色迷情 (Almost Blue) 的靈感來自於 Angela Lindvall 的「狂熱」(Fever) 演出,依稀透著經典爵士音樂 LP 唱片封套的影子,是結合影像、體裁與印刷工藝而構成的變奏藝術。   

Enfilade 2009
Enfilade 2009

Enfilade 以 AMO 的Prada 女士時裝秀設計為基礎,發想來源為 L'Année dernière à Marienbad (Alain Resnais 在 1961 年拍攝的影片),營造出從旗艦店主通道分枝出去的一連串模糊空間。

訪客可從幾個華麗的入口看到一連串愈來愈模糊的相鄰房間,意味著令人失去方向的時間與空間轉移,呈現出 Resnais 發人深省的觀點。

New masters 2009
New masters 2009

Referencing the classicb salon-style hanging of historic galleries, "New Masters" is composed of 100 paintings on canvas mounted directly on the Epicenter wall.

 

Depicting a landscape of flesh and vegetation, the original reproductions painted by young artists in China, create a recombinant image of overlapping fragments drawn from familiar old master paintings.

No relief 2009
No relief 2009

先前的牆紙以深度幻覺為發想主題,No Relief 則利用純石膏厚塗法為牆面增加實際的立體空間。 但與淺浮雕 (在平面背景上實現 3D 形狀) 不同的是,
                
                

這種效果是利用加深背景及保持前景平坦的手法去除部份印刷影像 (包括當代服裝系列的影像及古老雕刻的碎片) 所營造出來的結果。

Annex 2008
Annex 2008

旗艦店牆紙計劃是在非情境化環境下的一種運動: 影像與空間建築相呼應, 即所謂 Annex,牆紙均具有高度情境意涵,設計特別參考空間設計,
   

重新將建築姿態建構到高度扭曲的錯視畫中。 二維表面暗示着「空間」,從現有店舖延伸到一個新的虛幻區域。           

FLorid 2007
FLorid 2007

Florid乃與Prada 08年春夏季女裝時裝展共同設計,在某程度上象徵着Hieronymus Bosch與Aubrey Beardsley之間的乖張交匯。 影像描繪充斥食人花、龍、

混種生物及怪妖精的秘境。 以此牆紙為基礎,亦製作了名為「Trembled Blossoms」的動畫短片,於2008年2月5日在Prada紐約旗艦店首映。

Skull 2007
Skull 2007

同意重新設計旗艦店北牆牆紙的 Damien Hirst 延長了 Broadway 與 Mercer Streets 之間的長度。

牆紙的主題是 Damien Hirst 設計的 The Hours 封面的頭蓋骨。

Masked / hooded woman 2007
Masked / hooded woman  2007

Broadway 旗艦店的部份佈置會不定期修改現有的牆紙。 如 Notorious Women: Masked。 為 2007 年夏季設計的臨時佈置,

先前的佈置的女性畫像以明亮色彩、誇張的浪漫、夏季圖樣重新裝點,營造神秘感覺。

Notorious women 2006
Notorious women 2006

Prada 採用因才藝及權力而出名的10名著名女性畫像。 這些畫像由藝術家 Eric White 以傳統油畫繪製而成,然後再放大為巨幅畫像。 這 10 位著名女性分別是 Maria Callas、Elizabeth I、

Nefertiti、Kiki de Montparnasse、Camille Claudel、Mata Hari、Simone de Beauvoir、Catherine the Great、Jane Austen 及 Billie Holiday。

Guilt inc. 2005
Guilt inc.  2005

牆紙與店鋪裝置傳達出虛擬實體 Guilt Corporation 的「品牌手冊」。 佈置營造出大多

數人類情緒的乏味、官僚式認同,且打造出 Prada 豐富產品的精彩背景。

Futurama 2004
Futurama 2004

「未來奇觀」牆紙及零售店展示內容刻劃出許多怪異超人形機器人在高色調的伊甸園內裸體玩樂的可怕世界。

China 2003
China 2003

第三張牆紙延伸了方格主題。 這一次,影像由數千名身處北韓體育館、手持色卡的北韓民眾 (以拼出一排歡樂女性的圖樣) 組成。

Cancellation 2002
Cancellation 2002

Rather than introducing a new theme right away, the secon wallpaper was simply a cancellation of the first. A huge scale moire of dots was painted directly on the surface.

Vomit 2001
Vomit 2001

為開場設計的首張牆紙,主題為由解析度極低的影片單張劇照 (取自在一般放映場合播放的短片) 製作而成的巨型花卉圖案,其中有些是一般劇照,有些是半情色照片。

 
 
沪ICP备11025989号
_返回頁首