Wallpapers

作品集
 

Prada 纽约 Epicenter 旗舰店最为出众的特点之一是其无遮拦、六米高的北墙,长度几乎延伸至整个街区。 设计之初,OMA 就计划将这面墙壁打造为临时壁画。 Prada 及纽约设计工作室 2x4 定期构思壁画故事,并力图融入新的理念。 壁画的主题和色彩按季更改,缔造转瞬即逝的缤纷元素。

 
 
 
 
wallpapers

______ wallpapers

 
LOGOPOLIS 2018
LOGOPOLIS 2018

Between the thing, and the symbol for the thing, falls the shadow: extrusions of two dimensional logos derived for the FW 2018 collection form an uncanny, seemingly empty, city of signs.

SKIN AND BONES 2017
SKIN AND BONES 2017

A collision of supple flesh and unyielding iron infrastructure confused by visual disruptions that merge the hard and the soft.

FRAGMENTARIANISM 2017
FRAGMENTARIANISM 2017

The wall as site for broadcast. A single surface shingled with posters and polaroids: a city of women, step and repeat.

MUTE 2017
MUTE 2017

Opaque women’s silhouettes overlay and interrupt a vibrant conversation creating a new moment: mute and contemplative.

DIALOGIC 2017
DIALOGIC 2017

Backlit film stills and cinematic frames form a disjointed narrative of discontinuous elements: an intertwined, fragmented conversation in color and light.

Granularity 2016
 Granularity 2016

Silhouettes from the F/W'16 campaign are atomized utilizing a wildly eclectic library of objects that range from the specific – Prada products such as keys, books, and shooting stars – to the random – geometric forms, flowers, leaves, and feathers.

Anchored by fragments of face, body, and garment, the bodies decompose and reconstitute tapping into a common stream of elements that trails across the full expanse of the wall.

Ripple Effect 2016
Ripple Effect 2016

An encounter between hard and soft, figure and ground, body and drape. An undulating landscape of color, shadow, curves and geometries that disturbs the planar wall surface.

HYPERSPEED 2015
HYPERSPEED 2015

An intergalactic empire, accelerated to hyperspeed, visible through familiar windows and doorways, offering glimpses into a distant future.

GALACTIC EMPIRE 2015
GALACTIC EMPIRE 2015

Inspired by the architectural setting of the FW 15 fashion show and pulp sci-fi landscape imagery, Galactic Empire comprises a series of adjoining rooms that open onto alien desertscapes, unknown moons, and distant galaxies

VANISHING POINT 2015
VANISHING POINT 2015

Multi-point perspectives, drawn in black industrial duct tape over the blurred portraits of the existing Myopia wallpaper, break the 2 dimensional plane of the Epicenter wall: hard edged  rationalism piercing pastel miasma.

 

MYOPIA 2015
MYOPIA 2015

The wall is investigated through the manipulation of focal length. Huge portraits waver in and out of sharp focus depending on the relative approximation to the surface plane. The blurriness suggests a deep space into which the figures recede creating a vague and indistinct border to the space.

The overall, slightly psychedelic palette relates to images drawn from the concurrent campaign.

Brutalista Blooming 2014
Brutalista Blooming 2014

从冰冷坚硬的混凝土,到繁花绚烂的大花园: 该项目以古典绘画大师创作的油画为灵感,打造出一系列精美绝伦的对比色拼贴花环图案。 底层的壁纸则饰有美丽的节日花卉。

BRUTALISTA 2014
BRUTALISTA 2014

Inspired by the Fall/Winter 2014 advertising campaign, Brutalista is a photo collage of fragments from notable mid-20th century buildings composed in such a way as to contradict the real geometries and perspectives of the space.

The omnipresent concrete creates a uniform backdrop against which the collection stand out in vivid points of intense color.

In the Heart of the Multitude 2014
In the Heart of the Multitude 2014

The wallpaper for Spring/Summer 2014 is derived from In the Heart of the Multitude, a special project developed for the women's fashion show in Milan. Prada invited muralists Miles “El Mac” MacGregor, Mesa, Gabriel Specter, and Stinkfish, and illustrators Jeanne Detallante and Pierre Mornet, 

to engage themes of femininity, representation and power directly on the walls of the show space. The portraits represent the multiplicity of guises that women assume in the course of a day, or a lifetime, mirroring the essential modality of fashion.

Iridescence 2013
Iridescence 2013

点点 Prada 标识,宛如一只只黑暗精灵,闪烁于无尽暗黑之间,缓缓地汇聚成氲氲氤氤的奢华彩晕,这流光溢彩的迷人之光,

恰似原油般深邃,又如抛光玛瑙般夺目,恣意投向另一个未知空间。

Gatsby’s Party 2013
Gatsby’s Party 2013

作为 Baz Luhrmann 的最新力作,改编自 F. Scott Fitzgerald 同名小说的电影《了不起的盖茨比》现已华丽开映,而“盖茨比狂欢派对”则同期推出,淋漓尽致地展现了 Catherine Martin 和 Miuccia Prada 为这部电影倾情设计的款款精美华服。

   

走近盖茨比奢华宅邸,社交常客们身着华美便装谈笑风生,厅内衣香鬓影,觥筹交错;幕幕场景均以蒙太奇手法交错剪辑,完美呈现出 Luhrmann 眼中这个纸醉金迷的世界。

Sleeping Giant 2013
Sleeping Giant 2013

从古典绘画到插页,再到防晒乳广告牌,皆以横卧裸体为设计主题,从指尖至足尖全长超过 200 英尺,以超大幅画面呈现于百老汇大街上,

赋予了极强的视觉冲击感。简单进行放大,连续画面进行分解,使之展现出别样的人体艺术风景。

Powerhouses 2012
Powerhouses 2012

能量厂房变身为巨大现代的空间,满布世界各地政议院的相片,由摄影师 Luca Zanier 亲自操刀,充满现代感,风格出众。
   

华丽的空间表现出微妙的色彩和抽象姿势,引领人们回到那些奇异时代,追溯由豪华到抽象的装饰蜕变。

Soft opening 2012
Soft opening 2012

为庆祝在纽约大都会博物馆举行的“Schiaparelli 和 Prada: 跨越时空的对话”(Schiaparelli and Prada: Impossible Conversations) 展览,Prada 顺势推出了《Vogue》创意总监 Grace Coddington

倾力打造的“Soft Opening”特别橱窗展示,一系列 Prada 经典图片由 Coddington 和摄影师 Steven Meisel 掌镜,以细长的红色天鹅绒窗帘为背景,展现出极致的诱惑与性感。

Chromo 2012
Chromo 2012

If the perfect mirror is the essential element of the fashion boutique, the chrome surface of the automobile is its street-wise cousin. The world reflected in the bumper is transformed into visual riot, but what it lacks in veracity it makes up in dynamism.

Mirroring Prada's SS12 collection, Chromo is an imperfect simulation of the urban environment as captured in gleaming metallic.

Stain 2011
Stain 2011

Inspired by the illustrations adorning classic bodice-rippers and pulp fiction paperbacks, Stain features super-sized close-cropped watercolor portraits of Prada models in a swirl of color that borders on the lurid.

The collage is comprised of fragments of original paintings by illustrator Marcela Gutierrez recombined in a full-wall composition.

Caryatides 2011
Caryatides 2011

从《三骑士》、卡门·米兰达戏剧集到约瑟芬·贝克电影艺术海报,2011 春夏系列的精髓被展现得淋漓尽致,罗马柱、女像柱等有着浓郁的新巴洛克风格,与巴洛克背景融合得恰到好处。 静物写生、艺术写生、

建筑装饰等 17 世纪绘画元素颇具视觉冲击力,而在 Prada 2011 春夏系列中,身着华服的高挑模特们则佩戴上彰显庄严伟大的纹章盾,寓意资本主义与古典主义形象,缔造摩登风尚。

Almost blue 2010
Almost blue 2010

受 Angela Lindvall 的“发烧”表演的启发,并借鉴古典爵士 LP 封套的灵感,“Almost Blue”完美融合了意象、造型与印刷工艺。        

Enfilade 2009
Enfilade 2009

以 AMO 为 Prada Donna 时装秀奉上的设计为基础,并受阿伦·雷奈 (Alain Resnais) 1961 年的电影《去年在马里昂巴德》(L'Année dernière à Marienbad) 启发,“纵向”创建出一连串以 Epicenter 旗舰店主走廊为源头发散而出的模糊空间。

逐渐后退的连排房间通过许多个装饰华丽的大门微微瞥见,时间和地点的交替暧昧不明、模糊难辨,充分展现出雷奈标志性的煽情视角。

New masters 2009
New masters 2009

Referencing the classicb salon-style hanging of historic galleries, "New Masters" is composed of 100 paintings on canvas mounted directly on the Epicenter wall.

 

Depicting a landscape of flesh and vegetation, the original reproductions painted by young artists in China, create a recombinant image of overlapping fragments drawn from familiar old master paintings.

No relief 2009
No relief 2009

上一次壁画所运用的是视觉幻象,而壁画“非浮雕”则通过有着涂厚灰泥的墙体添加了真实的立体图案。 但与浅浮雕在平面背景上形成的立体凸浮不同,

这种立体效果是通过擦除印花图案(包括当期系列的图片和古老雕塑的片段)的部分所达到,即对背景部分加以雕琢使其凹陷下去,而令前景保持平坦。

Annex 2008
Annex 2008

Epicenter 旗舰店的壁画可以不受周围环境的限制自由发挥: 以整个空间的建筑结构为对象构建图画。 在这一次的演绎中,壁画“附加”超脱环境局限,以整个空间为设计主体,

通过对建筑结构的重新布局营造出扭曲而杂乱的视觉幻象。 二维表面从现有门店延伸至全新而虚无的空间,缔造“空间”理念。

FLorid 2007
FLorid 2007

与 Prada 2008 春夏 Donna 时装秀同期设计的“华丽”突破常理,
将 Hieronymus Bosch 和 Aubrey Beardsley    
截然不同的艺术风格融为一体。 图画中描绘了由食人花、恶龙、

杂交生物和怪异的精灵所构成的场景,具有强烈视觉效果感。 基于该壁画而打造的动画短片《Trembled Blossoms》于 2008 年 2 月 5 日在 Prada 纽约 Epicenter 旗舰店正式首映。

Skull 2007
Skull 2007

为 Epicenter 旗舰店北墙设计壁画的 Damien Hirst 将百老汇和 Mercer Streets 之间的长度加以延伸。

壁画中采用了由 Damien Hirst 亲自设计的 The Hours 乐队专辑封面中的骷髅头图案。

Masked / hooded woman 2007
Masked / hooded woman  2007

有时候,百老汇中心的部分布置会对已有的壁画加以改造。 例如对“著名女性: 戴面具的女性。” 在这一为 2007 夏季系列设计的临时布置中,
                
   

原有的女性肖像被色彩明亮并具有夸张而浪漫风格的夏季图案所覆盖,为之前的作品增添了一抹神秘气息。

Notorious women 2006
Notorious women 2006

Prada 采用了 10 位因自身能力和权力而盛名斐然的女性的肖像。 肖像由艺术家 Eric White 以古典油画手法绘制而成,然后进行放大。 这 10 位著名女性分别是 Maria Callas、
   

Elizabeth I、Nefertiti、Kiki de Montparnasse、Camille Claudel、Mata Hari、Simone de Beauvoir、Catherine the Great、Jane Austen 和 Billie Holiday。

Guilt inc. 2005
Guilt inc.  2005

壁画和商店装置外壳上均印有虚构公司 Guilt Corporation 的“品牌手册”。 整个布置为大多数人在情感上创造出一个枯燥无味、

官僚主义的形象,并为 Prada 的豪华产品营造出一种扣人心扉的独特气息。

Futurama 2004
Futurama 2004

“Futurama”壁画和展示柜台描绘的是一个怪异的场景,奇怪的超人类机器人赤身裸体、动作滑稽地在色彩炫丽的梦幻场景中穿梭。

China 2003
China 2003

第三幅壁画将像素主题加以延伸。 这一次,数以千计人群站在一座朝鲜体育馆中举起彩色卡片,构成类似一行欢笑的女性的图案。

Cancellation 2002
Cancellation 2002

Rather than introducing a new theme right away, the secon wallpaper was simply a cancellation of the first. A huge scale moire of dots was painted directly on the surface.

Vomit 2001
Vomit 2001

为开业设计的首幅壁画采用了由分辨率极低的电影剧照片段组成的巨大花卉图案,部分是普通图片,部分是半色情性质,均来自街头巷尾到处播放的简短影片。

 
 
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